Amanda J. Haste, Ph.D.

Music and Identity in Twenty-First-Century Monasticism

Amanda Haste (Routledge, forthcoming 2023)

A Guide for Independent Scholars (in preparation) Ed. Amanda Haste, Linda Baines and Helen Ross (National Coalition of Independent Scholars, forthcoming 2023)

Global Cuisines by Independent Scholars Ed. Helen Ross, Linda Baines and Amanda Haste (Battleboro, VT: National Coalition of Independent Scholars, 2022)

Constructing Identity in an Age of Globalization Ed. James E. Block and Amanda Haste (Paris: Ex Modio, 2015)

2022 ‘New wine in old bottles: Creating a musical repertoire for a new religious community.’ Global Cuisines by Independent Scholars, A Learned Cookbook, ed. Helen Ross, Amanda Haste and Linda Baines (Battleboro, VT: National Coalition of Independent Scholars), pp. 50-53.

2022 ‘For those in peril on the sea…And on Land: A Brief History of the Mission to Seamen in Marseille.’ Global Cuisines by Independent Scholars, A Learned Cookbook, ed. Helen Ross, Amanda Haste and Linda Baines (Battleboro, VT: National Coalition of Independent Scholars), pp. 35-41.

2021  ‘Using Translation as a Pedagogical Tool in Teaching English to Musicians and Musicologists.’ The Independent Scholar Vol. 8 (December 2021), pp. 33-46.   

2020  ‘The British Colony in Marseille: Meeting the Challenges of Migrant Life 1850-1900.’ The Independent Scholar Vol. 6 (February 2020), pp. 21-32.

2019   ‘A Musician Abroad: Linguistic Challenges in Establishing a Musician Identity.’ Language, Identity and Community. Lodz Studies in Language 62 (Berlin: Peter Lang, 2019), pp. 127-141. DOI 10.3726/b14989.

2018  ‘A language “clearly understanded of the people”: The construction of an Anglo-Catholic linguistic identity 1850-2015.’ Languages of Religion: Exploring the Politics of the Sacred, ed. Sipra Mukherjee(London & New York: Routledge, 2018), pp. 122-139. DOI 113836374X.

2018  ‘Anglican/Episcopalian Women Religious.’ Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 166-7.

2018   ‘Chastity.’ Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 175-6.

2018   ‘Contemporary Women’s Monastic Orders.’ Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 230-231.

2018   ‘Marriage, Divorce, Widowhood.’ Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 213-216.

2018  ‘Monastic Life.’ Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 227-9.

2018  ‘Mystics.’ Co-authored with Susan de Gaia. Women in World Religions: Faith and Culture across History. Ed. Susan De Gaia. Santa Barbara, CA; Denver, CO; Oxford, Great Britain: ABC-CLIO. Vol. 1, pp. 239-242.

2017   ‘Crossing boundaries: Establishing and communicating a cross-cultural musician identity.’ The Independent Scholar Vol. 3 (June 2017), pp. 26-45. https://www.ncis.org/sites/default/files/TIS%20Vol.3%20June2017_HASTE_Crossing%20boundaries%20establishing%20communicating%20cross-cultural%20musician%20identity_FINAL.pdf

2016   ‘The English Church in Marseilles: A Haven of the British Empire’ CHOMBEC News. Issue 21 (Summer 2016) ISSN 1751-3308.Centre for the History of Music in the British Empire and Commonwealth, University of Bristol, pp. 5-7.

2016  ‘Getting the message across: Linguistic issues in academic writing.’ The Independent Scholar Vol. 2 (September 2016), pp. 18-27. https://www.ncis.org/sites/default/files/TIS%20Vol.2%20Sep2016_HASTE_GETTING_MESSAGE_ACROSS_TRANSLATING_MEANING_ACADEMIC_READERSHIP_FINAL.pdf

2016  ‘Conflict and reparation: The agency of music in modern monastic community dynamics.’ Music and Arts in Action Vol. 5 Issue 2, pp. 39-51. http://musicandartsinaction.net/index.php/maia/article/view/conflictandreparation.

2015   ‘A third gender? Expression of gender identity in celibate monasticism through words and music’ in Contemporary Identities in Global Context, ed. James E. Block and Amanda J. Haste (Paris: Ex Modio), pp. 114-126.

2014   ‘Cyberchant: Medium and message in the computerised notation of newly composed monastic music.’ Proceedings of the Ninth Conference on Interdisciplinary Musicology – CIM14. (Berlin: Society for Interdisciplinary Musicology, 2014), pp. 28-32. file:///C:/Users/ajhaste2/Downloads/cim14_proceedings_frontmatter.pdf

2014   ‘Buying into the monastic experience: Are chant recordings the real thing?’ in Genuine Copies: The Paradox of Authenticity in a Globalized World, ed. Russell Cobb (Toronto: Palgrave Macmillan), pp. 69-84.

2013    ‘Prayerful silence and creative response in twenty-first-century monasticism.’ Culture and Religion. Vol. 14, Issue 3, pp. 268-288.  First published on line 30 January 2013  http://www.tandfonline.com/doi/abs/10.1080/14755610.2012.758159.

2012   ‘The Lord’s Prayer as song: Performance, gesture and meaning.’ Journal of Religion, Media & Digital Culture, issue 4, volume 1 (December 2012). Available online on < http://www.jrmdc.com>.